Icaro opens Attraversando with a track built around a powerful, recurring riff. Rhythm, vocals and instrumental development maintain a constant tension, eventually giving way to an extended guitar solo.
At the heart of the song is an almost physical relationship with music and its ability to alter the way we perceive ourselves: it can carry us away, give us energy and make us feel capable of going beyond our limits.
The reference to the myth is deliberately left implicit. Icarus is never mentioned by name: it is the imagery in the lyrics — culminating in the “wings in the sky” that “burn in the Sun” — that suggests his presence.
But Icaro is not a condemnation of illusion. It is the perspective of someone who continues to believe in the power of music while remaining aware of its deceptions: flying is still possible, as long as we never forget that wings can burn.
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Bambini di una Volta is built around a deliberate contrast: initially ethereal music, suddenly gives way to a lively, almost carefree swing, while the lyrics take the listener in a completely different direction.
The song explores some of the cruellest ways in which childhood can be violated and stripped of its innocence. The decision not to accompany these images with equally dark music is intentional: the harsher the words become, the more unsettling the contrast with the music’s apparent lightness becomes.
The structure also rejects a predictable form: there is no real chorus. The swing is interrupted by rock passages and an increasingly energetic instrumental development, leading to a finale that definitively breaks the initial balance.
Bambini di una Volta does not try to make musically dark what is already dark in the words. Instead, it lets the distance between music and lyrics create the unease.
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Non Fermarti Mai starts from a funky rock foundation and gradually develops into a longer, harder and more driving outro, connected to the main body of the song by a recurring motif.
The lyrics explore a very contemporary condition: the dissatisfaction that comes from constantly chasing something that always seems to be missing, until it turns into anger, distrust and isolation.
It is precisely in the extended outro that both music and lyrics shift perspective: not about running faster, but almost the opposite — letting go of the weight that has built up, finding space for yourself again, and refusing to let negativity become a prison.
Because Non Fermarti Mai does not mean never allowing yourself to stop for a while. It means never giving up on life and finding the strength to move again, because only by continuing the journey can we be ready to seize that moment — the carpe diem — that can sometimes change a life.
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Mani takes Attraversando into a more intimate dimension. It is a melodic rock track with an intricate structure, also featuring a jazz piano passage followed by a guitar solo.
Through music and lyrics, the song explores the emotions surrounding a moment of transition: curiosity, desire, hesitation, trust and fear of what is about to change. It does not describe what happens between the two protagonists, but what happens within them.
The only explicit gesture is the touch of their hands. A simple, almost minimal gesture that nevertheless becomes the first real boundary to be crossed: until a moment before, there was a “before”; from that moment on, there is already an “after”.
Hands thus become the symbol of the entire song: the point where intimacy begins, even before it needs to be put into words.
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Nomade opens with Middle Eastern-inflected sounds, introducing a progressive rock track in which rhythm, melody and atmosphere continually evoke the idea of a journey.
The protagonist moves through a world where those who come from elsewhere encounter distrust, obstacles and loneliness. But Nomade is not the story of a victim’s vulnerability: it is about the ability to turn an obstacle into a reason to seek a new path.
Even the desert wind, seemingly hostile, can become a muse: what makes the journey more difficult can force us to discover resources within ourselves that we might never have found had we remained sheltered.
Because Nomade is not only about those who cross countries and borders. At some point in our lives, we are all nomads, searching for a new oasis: a place to find our footing, from which we can set out again and to which we can return to rediscover what makes us feel at home.
Listen to Nomade on all main streaming platforms